Marcel Broodthaers
"I, too, wondered whether I could not sell something and succeed in life. For some time I had been no good at anything. I am forty years old... Finally the idea of inventing something insincere finally crossed my mind and I set to work straightaway. At the end of three months I showed what I had produced to Philippe Edouard Toussaint, the owner of the Galerie St Laurent. 'But it is art' he said 'and I will willingly exhibit all of it.' 'Agreed' I replied. If I sell something, he takes 30%. It seems these are the usual conditions, some galleries take 75%. What is it? In fact it is objects."
Marcel Broodthaers, 1964
Carey Young
Cautionary Statement (2007)
A bit of matter and a little bit more
Lawrence Weiner (1976)
Marcel Broodthaers holding Sadoul's L'Invention du Cinéma
Photo: Joaquin Romero Frias
Induction valve (Soupape d'admission) by Francis PICABIA
50x33 cm. Gouache over an engineering blueprint. Private collection.
Dada stirs up everything (Dada soulève tout)
15 January, 1921
The Bearded heart (Le Coeur à barbe)
Sole issue of a "transparent newspaper" published by Tristan Tzara in April 1922. 2x14 cm., 8 p. Black printing on pink paper.
SPIRIT VESSEL by Katherine Ng
WORKING NOTE: SPIRIT VESSEL is letterpress printed artist book produced through a Brody Arts Fund Grant. The hand set type was printed on two sides of the paper, then cut into strips (pages) and woven into the shape of a gourd. The text lists the uses of gourds from different cultures and so does the title of this piece. In the Chinese culture, the gourd is used as a container to capture evil spirits, whereas in the Japanese culture, the gourd is used as a vessel for intoxicating spirits.
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