Many thanks to Brett for finding and sharing this:
The Pressures of the Text
Format: Quicktime .mov
Size: 537mb
Duration: 17 min.
Year: 1983
The Pressures of the Text integrates direct address, invented languages, ideographic subtitles, sign language, and simultaneous translation to investigate the feel and form of sense, the shifting boundaries between meaning and meaninglessness. A parody of art/critspeak, educational instruction, gothic narrative, and pornography, it has been performed as a live work at major media centers and new music festivals in the US and Europe. The piece was written, directed and delivered by Peter Rose; co-directed by Jessie Lewis; with sign language and ideographic symbols by Jessie Lewis; and with English simultran by Fred Curchack. The work was featured in the 1985 Whitney Biennial.
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Carey Young
Cautionary Statement (2007)
A bit of matter and a little bit more
Lawrence Weiner (1976)
Marcel Broodthaers holding Sadoul's L'Invention du Cinéma
Photo: Joaquin Romero Frias
Induction valve (Soupape d'admission) by Francis PICABIA
50x33 cm. Gouache over an engineering blueprint. Private collection.
Dada stirs up everything (Dada soulève tout)
15 January, 1921
The Bearded heart (Le Coeur à barbe)
Sole issue of a "transparent newspaper" published by Tristan Tzara in April 1922. 2x14 cm., 8 p. Black printing on pink paper.
SPIRIT VESSEL by Katherine Ng
WORKING NOTE: SPIRIT VESSEL is letterpress printed artist book produced through a Brody Arts Fund Grant. The hand set type was printed on two sides of the paper, then cut into strips (pages) and woven into the shape of a gourd. The text lists the uses of gourds from different cultures and so does the title of this piece. In the Chinese culture, the gourd is used as a container to capture evil spirits, whereas in the Japanese culture, the gourd is used as a vessel for intoxicating spirits.
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